Shirley & Spinoza Radio Archive

Music Furthest from the Sea (radio show)

Posted on July 24th, 2008 by s&S.
Categories: music mix, Xinjiang.

Music Furthest from the Sea (radio show)

The ROGC’s Music Furthest from the Sea: Sounds of Xinjiang music mix radio show is an ongoing collection of music from the Xinjiang Uyghur Autonomous Region (as well as other parts of central Asia) presented thus far as 8 (EIGHT!) half-hour podcasts. Featured is the popular, folk and classical Muqam music of the region from a variety of sources and heavy on original field recordings; as well as clips & commercials from actual Urumchi, Uyghur language radio.

Show page and files are HERE

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ROGC: Under a Dim Crescent Moon – vol. 2

Posted on January 22nd, 2006 by s&S.
Categories: *Royal Oakland Gramophone Co., field recordings, live-mix, Xinjiang.

ROGC: “Under a Dim Crescent Moon” – part 2
live-mixed webcast of field recordings: January 22nd, 2006

PLAYLIST & INFO PAGE HERE!

this is # 2 of a 2-show series (part 1 is located HERE)

For most of 2003, I lived in the northwestern-most region of China…
officially known as:Xinjiang : Uyghur Autonomous Region
and sometimes referred to by some as China’s “other, lesser known Tibet” for situational parallels.
I’d recieved a generous grant to document the folk music (as opposed to the classical muqam music) of the Turkic muslim cultures traditionally native to the region… focusing mainly on the largest group: the Uyghurs , but also including examples of Kazakh and Kyrgyz songs.

For this show, I live-mixed many of those field recordings, which while mostly consist of music, also include ambiences, pop & traditional music on cassettes & cd’s I picked up…and recordings of shortwave radio.
The field recorded music you hear was, with only a few exceptions, strictly performed by common folk (farmers, carpenters, (incl. mystics and beggars)) demonstrating something that’s very much a cultural part of everyday life. With east China’s ever accellerating blitzkrieg development of it’s west though, these cultural traditions are going up in smoke fast.

The recordings were done with head-worn binaural microphones – in yurts, homes, under grape trellises, in mud brick courtyards, orchards and in the streets of oasis towns in areas surrounding the expansive Taklamakan desert

Several of these recordings – in purer, more carefully curated form – will be released later this year on the fantastic Sublime Frequencies label. (!!!)
**photos of these recordings and more can be found HERE. / ** more info on Uyghur music can be found HERE.

-Fausto Caceres (s of s&S)

PLAYLIST & INFO PAGE HERE!

running time: 2 hours

2 comments.

ROGC: Under a Dim Crescent Moon – vol. 1

Posted on January 15th, 2006 by s&S.
Categories: *Royal Oakland Gramophone Co., field recordings, Xinjiang.

ROGC: “Under a Dim Crescent Moon” – part 1
live-mixed webcast of field recordings: January 15th, 2006

PLAYLIST & INFO PAGE HERE!

this is # 1 of a 2-show series (part 2 is located HERE)

For most of 2003, I lived in the northwestern-most region of China…
officially known as:Xinjiang : Uyghur Autonomous Region
and sometimes referred to by some as China’s “other, lesser known Tibet” for situational parallels.
I’d recieved a generous grant to document the folk music (as opposed to the classical muqam music) of the Turkic muslim cultures traditionally native to the region… focusing mainly on the largest group: the Uyghurs , but also including examples of Kazakh and Kyrgyz songs.

For this show, I live-mixed many of those field recordings, which while mostly consist of music, also include ambiences, pop & traditional music on cassettes & cd’s I picked up…and recordings of shortwave radio.
The field recorded music you hear was, with only a few exceptions, strictly performed by common folk (farmers, carpenters, (incl. mystics and beggars)) demonstrating something that’s very much a cultural part of everyday life. With east China’s ever accellerating blitzkrieg development of it’s west though, these cultural traditions are going up in smoke fast.

The recordings were done with head-worn binaural microphones – in yurts, homes, under grape trellises, in mud brick courtyards, orchards and in the streets of oasis towns in areas surrounding the expansive Taklamakan desert

Several of these recordings – in purer, more carefully curated form – will be released later this year on the fantastic Sublime Frequencies label. (!!!)
**photos of these recordings and more can be found HERE. / ** more info on Uyghur music can be found HERE.

-Fausto Caceres (s of s&S)

PLAYLIST & INFO PAGE HERE!

running time: 2 hours

3 comments.